The part I think I find most satisfying with producing Factor Two are the elements of sound design I include. I'm usually aiming for something which will describe a mood in some way, or set a scene, and I generally don't want it to feel overbearing. The story should be more important and the sound design should enhance rather than distract.
This is my favourite piece, the intro to "Clouds Come and Go" with Rick Allen. I was trying to recreate the sense of being at altitude and hallucinating, as Rick describes later in the story.
Best listened to on headphones with decent bass.